The Color Inspector is located on the right-hand side of the screen and contains a few different submenus ( Color Board, Color Wheels, Color Curves, and Hue/Saturation Curves). In general, you should use these tools in the order of Balance Color (including white-balance corrections), Match Color, and (if necessary) manual color correction. These color grading tools can also be accessed by going to Window > Workspaces > Color and Effects to view all of your color settings. The Color Inspector in Final Cut Pro is where you’ll find all of your color grading and color correction tools. Note: With Simon Says, you can simplify your workflow even more with native subtitles and captions for 100 languages in Final Cut Pro. For more details and methods, see Add color correction effects in Final Cut Pro for Mac.
Press Command-7 to open the Video Scopes. Now you can follow the steps to correct colors of your video in Final Cut Pro: Step 1. This step-by-step Final Cut Pro tutorial will go over coloring for video production inside the software, perfect for those looking to up their coloring workflow. Click the pop-up menu at the top of the Color inspector, then do one of the following: Add a new instance of the Color Wheels effect: Choose Color Wheels from the Add Correction section at the bottom of the menu. Part 1: How to Correct Video Color using Final Cut Pro Part 2: Simplest Way to Correct Color for Video - Filmora Video Editor Part 1: How to Correct Video Color using Final Cut Pro. While programs such as Adobe Premiere Pro and DaVinci Resolve offer incredible color grading options, no program is quite as popular for video editors as Apple’s Final Cut Pro X.įinal Cut Pro offers a wonderful array of features for colorists and dynamic syncing with a slew of different amazing color grading presets. Now, color correction and color grading can be done entirely within your video editing software of choice in post-production. Color used to be based entirely on the lighting and film stock during production. The introduction of NLEs has helped to simplify video editing techniques that were once incredibly complicated. You can also use custom lookup table (LUT) effects on log-encoded video. Different colors can convey a certain feeling or can draw the audience’s attention to a specific point on the screen. Because many color correction workflows are based on working with log video, Final Cut Pro can automatically apply a log conversion setting to ProRes RAW media files during import. Color is not only an integral part of how we see the world but how we see film and video as well.